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href="../external.html?link=https://www.epochtimes.com/gb/tag/杜甫.html" rel="tag">杜甫</a>, <a href="../external.html?link=https://www.epochtimes.com/gb/tag/登高.html" rel="tag">登高</a>, <a href="../external.html?link=https://www.epochtimes.com/gb/tag/诗人.html" rel="tag">诗人</a>, <a href="../external.html?link=https://www.epochtimes.com/gb/tag/唐朝.html" rel="tag">唐朝</a>, <a href="../external.html?link=https://www.epochtimes.com/gb/tag/品读唐诗.html" rel="tag">品读唐诗</a> </div> </header> </div> <!-- article content begin --> <p>重阳登高，踏秋祈福，本是古人一桩赏心乐事。然而在唐朝大历二年（767年）的夔州（今属重庆奉节），一位霜鬓华发的病弱文人独上高台，感受到的却是另一番景色：耳畔疾风猎猎、猿声悠悠，眼前落叶萧萧、江水滚滚。</p> <p>萧瑟凄苦的寒江秋景，让这位文人联想到人生漂泊坎坷、国运衰微不振的境况。他进不能报效国家，退不能独善其身，一时间，哀、悲、苦等百般滋味涌上心头。他为秋而悲，为己而悲，为国而悲，多年来潜藏、积郁的情感，在此刻迸发，化作一首荡气回肠的悲歌。千百年来，这首诗歌广为传唱，更被推举为“古今七言律第一”（《诗薮》）。这就是“诗圣”杜甫的《登高》：</p> <p style="text-align: center;"><span style="color: #339966;">风急天高猿啸哀，渚清沙白鸟飞回。</span></p> <p style="text-align: center;"><span style="color: #339966;">无边落木萧萧下，不尽长江滚滚来。</span></p> <p style="text-align: center;"><span style="color: #339966;">万里悲秋常作客，百年多病独登台。</span></p> <p style="text-align: center;"><span style="color: #339966;">艰难苦恨繁霜鬓，潦倒新停浊酒杯。</span></p> <h2>诗境赏析</h2> <p>夔州地处巴蜀，山势险要、江水奔流，风景奇丽壮美。诗人客居此地，登高临眺，首先被眼前独特的山水风景震撼，无限诗兴与情感也随之奔涌而来。</p> <figure id="attachment_14472608" aria-describedby="caption-attachment-14472608" style="width: 640px" class="wp-caption aligncenter"><a href="../external.html?link=images/id14472608-DuFu-Shiyi-Zhou-Part-1-1080x720.jpg" target="_blank" rel="noreferrer noopener"> <img fetchpriority="high" decoding="async" class="size-djy_1080 wp-image-14472608" src="images/id14472608-dufu-shiyi-zhou-part-1-1080x720.jpg" alt="" width="640" height="427" /></a><figcaption id="caption-attachment-14472608" class="wp-caption-text">杜甫的《登高》以高远的视角开篇，展现夔州典型景色：天高风急，水清沙白，猿啼声声，鸟影徘徊。图为清 董邦达绘《杜甫诗意轴》局部。（公有领域）</figcaption></figure> <p>“风急天高猿啸哀，渚清沙白鸟飞回。”《登高》以高远的视角开篇，用平实凝炼的白描手法，展现夔州典型景色：天高风急，水清沙白，猿啼声声，鸟影徘徊。“风急”二字领起全篇，是重阳登高带给诗人的最直接的感受。其后紧跟一连串的景物意象，它们自上而下，一气贯通，组成完整的秋江图景，同时烘托出急风席卷万物的气势。</p> <p>首联不仅是高度写实的摹景佳句，也是借物起兴的抒情心曲，颇具象征意味。疾风横扫，山水失色，肃杀凛冽的环境，如同诗人面临的流离困顿的人生境遇，以及国家内忧外患的危急局势。三峡中猿啸不绝，催人泪下，是诗词中常见意象，在本诗中可渲染诗歌悲情氛围，也是诗人心境的直接投射。天地间孤鸟盘旋，无处栖身，与诗人漂泊无依的现状，以及理想破灭、不得展翅高飞的经历高度契合，更是诗人形象的写照。</p> <p>颔联顺承诗意，开拓视野，吟成千古名句：“无边落木萧萧下，不尽长江滚滚来。”在迅疾猛烈的狂风中，树叶纷纷凋落，江水滚滚而逝。这两句不以意象密集丰富取胜，仅仅择取落叶、江水，运用夸张、叠词等手法，将秋意诗情渲染到极致。木叶乱坠，江浪翻腾，再次让人联想到动荡不安的国家危局，又何尝不是诗人纷乱愁绪、汹涌起伏的情感流露？</p> <p>而从更为宏观的角度品读此联，无数秋叶纷纷凋落，构成纵向的、空间的隐喻；古往今来江水不息，构成横向的、时间的隐喻。两者交织，呈现出一种时不我予的急切、焦灼之情，以及沧海一粟的渺小、孤独之感，强化了诗人悲切孤苦的心理状态。诗歌由此勾通天地、历史、宇宙，走进更为深广的境界。</p> <p>颈联笔锋一转，用倒叙手法描写诗人登高原由，概括半生遭遇。“万里悲秋常作客”，安史之乱以来，诗人羁旅他乡，辗转各地，可说是行万里路。“百年多病独登台”，百年代指一生，诗人仕途不顺，在好友相继去世后，不仅衣食无着，更失去了志同道合的知音，可说是一生难得顺遂。在生活与精神的双重磨难下，他病痛缠身，本想在重阳登高排遣悲情，却被夔州秋风拂动心绪，种种愁苦孤愤之情藉由江天之景喷薄而出。</p> <p>“艰难苦恨繁霜鬓，潦倒新停浊酒杯。”尾联回归现实，讲述诗人因穷苦潦倒的际遇而满腔苦闷遗恨，他早早地两鬓斑白，华发丛生。如今的他，或许只能在飒飒秋风中饮酒遣怀，然而身体状况不允许他畅饮至醉，不得不小酌而止。这一联没有表现雄阔的景观，纵横的时空，甚至是跌宕的情感，只是将诗人的真实现状淡淡道来。但字里行间，仍然能让读者感受到文字背后的深情，留下曲终而意未尽的余韵。</p> <p>《登高》是诗人杜甫以登览山高江阔之秋景，触发感时伤世之情怀，抒写下的一首旷世绝唱。它完美展现杜甫的沉郁诗风与精湛诗艺，堪称杜诗压卷之作。</p> <h2>诗人背后的故事</h2> <p>自唐朝至今，“李杜诗篇万口传”。说起唐朝诗人，“诗圣”杜甫绝对是数一数二的诗坛宗匠。杜甫，字子美，生于开元盛世的一个世代习儒、诗书传家的名门望族。杜甫的祖父杜审言，曾任国子监主簿、修文馆直学士，也是著名诗人；父亲杜闲亦官至兖州司马。</p> <p>少年时代的杜甫，度过了一段安定富足、恣意放旷的时光。他也继承了祖辈的理想与才华，自幼勤奋好学，“读书破万卷，下笔如有神”非是虚言；他更怀抱“致君尧舜上，再使风俗淳”（《奉赠韦左丞丈二十二韵》）的理想，踏上了漫游、求仕之路。</p> <figure id="attachment_14472609" aria-describedby="caption-attachment-14472609" style="width: 640px" class="wp-caption aligncenter"><a href="../external.html?link=images/id14472609-DuFu-Shiyi-Tu-QuanJuan-Part-1080x720.jpg" target="_blank" rel="noreferrer noopener"> <img decoding="async" class="size-djy_1080 wp-image-14472609" src="images/id14472609-dufu-shiyi-tu-quanjuan-part-1080x720.jpg" alt="" width="640" height="427" /></a><figcaption id="caption-attachment-14472609" class="wp-caption-text">国家危难、人生低谷，没有压垮杜甫，反而锤炼了他的文学功力。图为清 丁观鹏绘《杜甫诗意图全卷》局部。（公有领域）</figcaption></figure> <p>不过，杜甫的仕途并不顺遂，二十四岁参加科举而落第；三十五岁又参加唐玄宗诏天下“通一艺者”的人才考试，又因为权相李林甫导演的闹剧而落选。科举之路不通，杜甫转而干谒权贵、向天子献赋，希求等到当权者的赏识。他奔走长安十余载，也困顿长安十余载，最终也不过是得到河西尉、兵曹参军这样的低阶官职。</p> <p>正是“残杯与冷炙，到处潜悲辛”（同前），但这并不是杜甫最大的磨难。天宝十四载（755年）末，渔阳鼙鼓动地来，动摇大唐根基的安史之乱爆发。杜甫的命运也随之遭遇重挫，被叛军关押、因战乱流离。战乱之后，唐朝由盛转衰，国家陷入军阀割据的分裂乱局，杜甫的境遇也未得到改善，长年依靠当地长官或朋友的接济，方能维持生计。</p> <p>国家危难、人生低谷，没有压垮杜甫，反而锤炼了他的文学功力，“晚节渐于诗律细”（《遣闷戏呈路十九曹长》），他将律诗推向一个全新的高峰，格律严谨工整又无斧凿痕迹。他又是一个心系家国百姓的诗人，其诗篇将国家动乱、民生凋敝与个人经历相结合，形成了忧国忧民、沉郁顿挫的悲慨诗风。</p> <p>漂泊期间，杜甫曾寓居成都，担任剑南节度使严武的幕僚，生活趋于宁静安稳。但严武病逝后，杜甫失去倚仗，被迫结束“五载客蜀郡”（《去蜀》）的生涯，乘船南下漂泊。他带着全家，途经云安（今重庆云阳）时，不幸消渴、疟疾病发。杜甫不得已逗留数月，才得以抵达夔州。</p> <p>这时已是大历元年（765年），杜甫已经五十五岁，步入人生的老境。他在夔州，接受当地都督的救济，又度过三年时光。然而他的处境依旧艰难，身体状况也在不断恶化。不过，夔州的山水物候、风土人情无不冲击着异乡人杜甫的身心，带给他强烈的感受和源源不断的灵感。诗穷而后工，这一时期，杜甫创作大量夔州风土题材的诗歌。</p> <p>夔州山川雄峻险要，杜甫用诗歌展现自然造化之功：“城欹连粉堞，岸断更青山”（《峡口二首》其一）；夔州夏日酷热、秋季多雨，杜甫对气候的变化颇为敏感：“炎赫衣流汗，低垂气不苏”（《热》）“风吹苍江树， 雨洒石壁来。”（《雨》）</p> <p>而他成就最高的作品，依然是融入家国忧思与身世感怀的诗歌。夔州的白帝城，因东汉公孙述割据称帝而得名，又因蜀汉先主刘备托孤而扬名。杜甫流连于这座古城，思接千载，视通万里，或怀古伤今，感慨“公孙初恃险，跃马意何长”（《上白帝城》）；或感时伤乱，叹息“杖藜叹世者谁子？泣血迸空回白头”（《白帝城最高楼》）。</p> <p>杜甫到达夔州的第二年，也就是他辞世前的第四年，他不顾老迈病体，孤身一人在重阳节那天，又一次登上夔州白帝城的高楼。这时的杜甫，眼望高旷凄凉之景，联想到国势衰颓，民生多艰，自己年华蹉跎、壮志未酬，万千思绪如落木萧萧而下，种种情感如江水滚滚而来，遂写下七律名作《登高》。</p> <p>这首诗情感悲凉慷慨，境界跌宕壮阔，格律浑然天成，受到历代诗评家的高度赞誉。古人称赞它“一篇之内，句句皆奇；一句之内，字字皆奇”，不愧是古今七律第一的巅峰诗作。</p> <p>参考资料：《全唐诗》《诗薮》等。</p> <p>点阅【<a href="../external.html?link=https://www.epochtimes.com/gb/tag/品读唐诗.html">品读唐诗</a>】连载文章。</p> <p><strong>欢迎订阅</strong><br /> 古韵流芳Ganjingworld频道：<a href="../external.html?link=https://www.ganjingworld.com/s/ZbMQD1Yk1Q" target="_blank" rel="noopener">https://www.ganjingworld.com/s/ZbMQD1Yk1Q</a><br /> 古韵流芳Telegram群组：<a href="../external.html?link=https://t.me/guyunliu" target="_blank" rel="noopener">https://t.me/guyunliu</a></p> <p>责任编辑：林芳宇@#</p> <div class="related-article" style="margin-top: 1.5em; font-weight: bold;">推荐阅读：</div> <ul class="related-posts" style="padding: 0 0 1em 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